Forget the Super Bowl, the GOP primaries and the unceasing competition of dullards in round tables and panels presided over by Tim Russert or Chris Matthews.

Hop into the time machine, or rather open up Farewell, My Lovely (1940), and discover how a real man—noir mystery writer Raymond Chandler—deals with Ernest Hemingway.

The passage quoted below comes from chapter 23. Chandler’s tough-guy private detective, Philip Marlowe, has been worked over by cops hired by wealthy individuals to safeguard their own corruption. Dashiell Hammett narrated the same scenario more explicitly, but Chandler backs up the action with more metaphor:

 
            “All right,” the big one said. “You can quit stalling now.”

I opened my eyes and sat up . . .

“You got fun, pally?”

I looked at what made the sound, what was in front of me and what had helped me get where I was. He was a windblown blossom of some two hundred pounds with freckled teeth and the mellow voice of a circus barker. He was tough, fast and he ate red meat. Nobody could push him around. He was the kind of cop who spits on his blackjack every night instead of saying his prayers. But he had humorous eyes.

He stood in front of me splay-legged, holding my open wallet in his hand, making scratches on the leather with his right thumbnail, as if he just liked to spoil things. Little things, if they were all he had. But probably faces would give him more fun . . .

 
Chandler is rough on the police. He gets rougher:

 
            “Cops?” I asked, rubbing my chin.

            “What do you think, pally?”

            Policeman’s humor . . .

            The big man handed me my wallet. I looked through it. I had all the money still. All the cards. It had everything that belonged in it. I was surprised.

            “Say something, pally,” the big one said. “Something that would make us get fond of you.”

            “Give me back my gun.”

 
The terse he-man set-up continues, winding up for the literary kill with the jar of pulp fiction and the precision of Jane Austen:

 
             He looked at me again. “And what would you want your gun for, pally?”

“I want to shoot an Indian.”

“Oh, you want to shoot an Indian, pally.”

“Yeah—just one Indian, pop.”

He looked at the one with the mustache again. “This guy is very tough,” he told him. “He wants to shoot an Indian.”

“Listen, Hemingway, don’t repeat everything I say,” I said.

 
First hit. Marlowe names the big, dumb wallet stealer Hemingway. It gets worse for Ernest:

             “I think the guy is nuts,” the big one said. “He just called me Hemingway. Do you think he is nuts?” . . .

            “I can’t think of any reason why he should call me Hemingway,” the big one said. “My name ain’t Hemingway.” . . .

            The big man leaned down from his hips and bent his knees a little and breathed in my face. “What for did you call me Hemingway, pally?”

            “There are ladies present.”

Second hit, in case some reader failed to notice the insult up to now. Repetition is key:

             The big man said: “Let’s go, pally. Away from here. I think maybe a little air will help you to get straightened out.”

            “Okay, Hemingway.”

            “He’s doing that again,” the big man said sadly. “Calling me Hemingway on account of there are ladies present. Would you think that would be some kind of dirty crack in his book?”

Third hit. So much for literary fame, the officer has never heard of Hemingway—although he still realizes that he has been insulted. Just for fun, Chandler pretends there may be some remaining ambiguity, which he resolves, driving the point home unmercifully in chapter 24:

            The big man said: “Now that we are all between pals and no ladies present we really don’t give so much time to why you went back up there, but this Hemingway stuff is what really has me down.”

            “A gag,” I said. “An old, old gag.”

            “Who is this Hemingway person at all?”

            “A guy that keeps saying the same thing over and over until you begin to believe it must be good.”

            “That must take a hell of a long time,” the big man said.

Talk about (elegant) fighting words. Chandler has not presented his cop as any kind of literary critic, but even he can put his finger on the fundamentals when they are spelled out for him--more, in Chandler’s telling, than Hemingway can do. Take that, Great White Hunter.

Back to those televised panels: The reason most of the commentary has the heft of chips of debris bobbing around on polluted waves is that Tucker Carlson, E. J. Dionne, Joe Klein, Dana Milbank et al. are doing their best to deny or to conceal that election 2008 was largely stolen before it started.

The only hope right now is that Obama can pull it out.